why do you think braque liked fauvism, and what do you think he borrowed from the style?
Though Picasso stayed in Paris and Matisse remained in the south during World War II, their respect and friendship deepened. Picasso looked after Matisse’s paintings, stored in a bank vault. Matisse, in ill health, defended Picasso against his critics. “This poor man,” Matisse wrote to his son Pierre, “is paying a hard price for his uniqueness. He is living in Paris quietly, has no wish to sell, asks for nothing.”
Neither was convinced. When Picasso‘s friend Braque sent a group of his own new paintings to the Salon d’Automne in 1908, Matisse was one of the jurors. “They’re made of little cubes!” he protested as he voted to reject them. A critic heard this and baptized “Cubism” in the press. At the same time, though, Matisse took his most important collector,a Russian textile czar named Shchukin, to see the Demoiselles in Picasso‘s studio. Shchukin, whose Moscow home already boasted walls of Claude Monets, Pierre-Auguste Renoir’s, van Goghs, Gauguins and Cézannes along with his Matisses, was at first shocked, but soon began buying Picassos too. It was an act of great generosity on Matisse’s part.
A Dutch-French painter, Kees van Dongen is most famous for his sensuous portraits. After the First World War started painting in the Fauvist style with lush colors. He stood apart among other Fauve artists. While others mainly painted landscapes in natural light, he focused on interior scenes including theatres, circuses cabarets with much contrast provided by the artificial light. He became a friend of Picasso and they would often go to the circus together to sketch. While Picasso’s works were melancholic, van Dongen’s were rather joyful and humorous. There was a significant demand for his portraits among the upper class and bourgeois during his Fauve period and he was commissioned to paint Arletty, Louis Barthou, Sacha Guitry, Leopold III of Belgium, Ann de Noailles and Maurice Chevalier, among others.
Henri Manguin was a prominent member of the Fauvist movement. After several solo exhibitions, Manguin exhibited his works in the famous Fauves exhibition in 1905. He was fascinated with St Tropez because of the light and landscape, and he has spent most of his summers there. His favorite subjects were women, landscapes, mostly Mediterranean and still lifes with flowers. He loved working with bright but not garish colors, and preferred small-scale works. This made him very popular with French art collectors. His later works never exceeded the freshness of his Fauvist period. The French author Tristan Klingsor wrote in his book from 1921 that Manguin’s “search for bright vibrant colors, his outbursts of orange, his sumptuous reds… even the shadows contribute to the levity and gaiety, often taking on tones of green”.
In order to know more about the answer, let’s get to know who Georges Braque is at first.
The installation is demanding as well. The curator is William S. Rubin, the museum’s director emeritus of painting and sculpture, and the exhibition bears the stamp of his ”Cezanne: The Late Work” (1977), ”Pablo Picasso: A Retrospective” (1980) and ” ‘Primitivism’ in 20th-Century Art: Affinity of the Tribal and the Modern” (1984). ”Braque and Picasso” is enormous, didactic and generous. Mr. Rubin knows that this material may never be gathered together again, and he has presented it in the tightest yet most exhaustive way possible, The show is about Cubism, by far the most influential development in 20th-century art. Cubism shattered the autonomy of the individual object and integrated it with its environment. It made instability, indeterminacy and multiple points of view staples of modern art. It was more comfortable with metamorphosis and change than with permanence. The collage systematically incorporated everyday materials for the first time. The papier colle (pasted paper) suggested a way of making pictures in which the touch of the artist did not have to play a visible role.
In Picasso there is a hunger for beginnings. In the slumbering, Michelangelesque figures of his 1908 ”Three Women,” there is a sense of a world about to begin again. In the way the female nude in Picasso‘s 1908 ”Dryad” pounds forward, as irrepressible as a tank, about to exit a painting that seems unable to contain her, there is a sense of energies that cannot be restrained. In Braque‘s and Picasso‘s search for a new kind of pictorial architecture, there is a sense of a need to rebuild.
Mr. Burgher’s Art Facts
Picasso was an internationally known artist by 1910. This allowed him the ability to shake things up a bit with his personal style. Picasso was always experimenting with styles. As Cubism was evolving, he was also experimenting with Dada and Surrealism, as well as varied other ways of creating sculpture and painting. He dabbled in Surrealism primarily in 1925 and 1937. He was not a Surrealist like Salvador Dalн , but more in the approach of Joan Mirу . Picasso’s most known surrealist work was Guernica .