which of the following descriptions relates best to helen frankenthaler’s mountains and sea quizlet
The drawing consists entirely of white crayon lines drawn to points drawn on the wall in a six-inch pencil grid. The length of the lines and their placement are determined by the drafter.
It was at 15 that she stopped being Mireille Suzanne Francette Porte from Saint-Étienne and was reborn as Orlan, a name freighted with symbolic import. Her subsequent career has been a series of rebirths and triumphs of will over technology. In 1964, she presented a nude photograph of herself, shot from above, giving birth to an androgynous mannequin, entitled Orlan S’Accouche d’Elle M’Aime (a punning French title perhaps best translated as Orlan Gives Birth to Her Beloved Self). She later reinvented herself as a saint, calling her series of performance-surgeries The Reincarnation of Saint-Orlan.
Lin has stated that environmental issues have concerned her since she was very young, and she dedicated much of her time at Yale University to environmental activism.  Her interest in the environment stems from her upbringing in rural Ohio. The Hopewell and Adena Indian burial mounds inspired Lin from an early age.  Much of her later work, after her work on memorials, focuses on the relationship that people have with their environment, which she displays in earthworks, sculptures, and installations. “I’m very much a product of the growing awareness about ecology and the environment al movement,” Lin says. “I am very drawn to landscape, and my work is about finding a balance in the landscape, respecting nature not trying to dominate it. Even the Vietnam Veterans Memorial is an earthwork. All of my work is about slipping things in, inserting an order or a structuring, yet making an interface so that in the end, rather than a hierarchy, there is a balance and tension between the man-made and the natural.” Lin’s work centers on the concept of uncovering “hidden histories” to bring attention to landscapes and environments that may otherwise be inaccessible to viewers and “deploys the concept to discuss the inextricable relationship between nature and the built environment.”  Lin’s focus on this relationship highlights the impact humanity has on the environment, and draws attention to her concerns such as global warming, endangered bodies of water, and animal extinction/endangerment. These issues are explored in what Lin calls her latest memorial, What Is Missing?.
In 2000, Lin re-emerged in the public life with a book, Boundaries.  Also in 2000, she agreed to act as the artist and architect for the Confluence Project, a series of outdoor installations at historical points along the Columbia River and Snake River in the states of Washington and Oregon. It is the largest and longest project that she has undertaken so far.