where is david hockney from
In the eighties, Hockney turned to photo collage. Using a Polaroid camera, Hockney would assemble collages of photos that he would take as quickly as possible. Hockney was fascinated with the idea of seeing things through a window frame. This medium allowed him to see things in a whole new fashion. He took a drive in the southwest United States taking thousands of photos and fitting them altogether into various collages, such as You make the picture, Zion Canyon, Utah. His artwork also began to take on a psychological dimension. In the autumn of 1983, Hockney began a series of self-portraits, allowing the public to enter his personal inner life. It is obvious in these works that Hockney was quite vulnerable and unsure of himself, even though he had achieved major success in his life as an artist.
David Hockney has often been regarded as a playboy of the art world. He has had lascivious relationships, and he has run among strange and crazy artistic circles. Yet he has always retained a sense of stability in his life through his constant and tireless devotion to his work. Hockney is an artist that has always enjoyed success and praise, facing little to no hardship in his career. What is interesting about his life is not the problems he has encountered, but the strides he has taken to bypass much human suffering and malaise.
Hockney wants to capture his relationships with the people he knew. Many of his paintings are of men that he loved and spent time with. Like the painting of his parents, they show a tenderness towards the people who really mattered for Hockney. This includes his friends and other couples Hockney admired. In George Lawson and Wayne Sleep, Hockney shows Wayne, a dancer, and his partner George. The way Wayne, who is framed in the doorway, gazes at George shows a look of love that Hockney clearly felt was important to share.
Hockney is still painting and trying lots of new experiments with art. Some of his most recent work includes painting on iPads. The great thing about iPads is that once the work has been complete, you can go back and see how the painting was created. It’s like rewinding time. Isn’t that incredible?
Livingstone, Marco, David Hockney, 1st American edition, Holt, Rinehart & Winston, 1981.
Hockney drew ideas from fairy tales as well. Some of his more renowned work comes from his etchings of tales by the Brothers Grimm. His 1969 one-person show at the Kasmin featured etchings made up largely of six of the Grimm’s tales. The completion of this particular work and show fulfilled a lifelong dream of Hockney’s; he had even taken a boat trip on the Rhine from Mainz to Cologne so as to be able to capture the atmosphere and vividness of the tales.
The artist said Normandy already feels like home, adding “I can do twice as much work there, three times as much”.
“I’ve smoked for more than 60 years but I think I’m quite healthy. I’m 82. How much longer do I have? I’m going to die of either a smoking-related illness or a non–smoking-related illness.”
In June 2007, Hockney’s largest painting, Bigger Trees Near Warter or/ou Peinture sur le Motif pour le Nouvel Age Post-Photographique, which measures 15 feet by 40 feet, was hung in the Royal Academy’s largest gallery in its annual Summer Exhibition.  This work “is a monumental-scale view of a coppice in Hockney’s native Yorkshire, between Bridlington and York. It was painted on 50 individual canvases, mostly working in situ, over five weeks last winter.”  In 2008, he donated it to Tate in London, saying: “I thought if I’m going to give something to the Tate I want to give them something really good. It’s going to be here for a while. I don’t want to give things I’m not too proud of . I thought this was a good painting because it’s of England . it seems like a good thing to do.”  The painting was the subject of a BBC1 Imagine film documentary by Bruno Wollheim called David Hockney: A Bigger Picture (2009) which followed Hockney as he worked outdoors over the preceding two years. 
In October 2010, he and a hundred other artists signed an open letter to the Secretary of State for Culture, Media and Sport, Jeremy Hunt, protesting against cutbacks in the arts.