what style artist is juan miro
1956 he moved his residence to Mallorca, where he also built a large studio.
1958 he became the Guggenheim Award.
1968 honorary doctorate at Harvard University and in 1979 in Barcelona.
Joan Miró was born on 20.4.1893 in Barcelona. The Catalonian artist was one of the most important representatives of surrealism.
His appearance resembled rather than a rich bourgeois than an unconventional artist. But only with his international success, which brought him his exhibitions in the United States, he could exercise sufficient pressure on his galleries for a reasonable portion of the sale proceeds of the works.
In 1959, André Breton asked Miró to represent Spain in The Homage to Surrealism exhibition alongside Enrique Tábara, Salvador Dalí, and Eugenio Granell. Miró created a series of sculptures and ceramics for the garden of the Maeght Foundation in Saint-Paul-de-Vence, France, which was completed in 1964.
Miró returned to a more representational form of painting with The Dutch Interiors of 1928. Crafted after works by Hendrik Martenszoon Sorgh and Jan Steen seen as postcard reproductions, the paintings reveal the influence of a trip to Holland taken by the artist.  These paintings share more in common with Tilled Field or Harlequin’s Carnival than with the minimalistic dream paintings produced a few years earlier.
Beginning in 1948, Miró once again divided his time between Spain and Paris. That year he began a series of very poetic works based on the combined themes of woman, bird, and star. In 1949 and 1950 he created some paintings that were wildly spontaneous in character, while executing others with punctilious craftsmanship. He used both approaches in his increasingly large sculptures, amalgamating all of his earlier figurations to form erotic fetishes or signals towering into space.
Joan Miró was a Catalan painter who combined abstract art with Surrealist fantasy. His mature style evolved from the tension between his fanciful poetic impulse and his vision of the harshness of modern life. He worked extensively in lithography and produced numerous murals, tapestries, and sculptures for public spaces.
“Of this great painting, Miró later said, “It was the summary of one period of my work, but also the point of departure for what was to follow.” And though he could not then have known what precisely was to follow, the fact that it is the largest painting he had undertaken up to that time is an indication that he had chosen to make an important statement through it. Miró was perhaps not as poor at that stage of his life as artistic mythology maintains, but canvas and paint, then as now, were costly items, especially if one had no idea if one’s work was going to sell. The size of the canvas plays a part in an affecting vignette left us by Hemingway, who describes how he bore it home as a birthday present for his wife, Hadley, after paying off the last installment of the 5,000 francs it cost: “In the open taxi the wind caught the big canvas as though it were a sail, and we made the taxi driver crawl along.”
Joan Miro Painting 1921-1922 – “The Farm”
For several years to follow, Joan Miro was know to work in various art forms, created various mediums, and used all types of work methods, to create new pieces. For the next thirty years of his career, much of his work was done to showcase his distinct style of art, and the manner in which he could create, regardless of which mediums he was working with. During this time much of his work was also placed in a number of individual, as well as group exhibitions, which brought notoriety to his work, and to the Catalan style which he would create most of his pieces around.
In 1976, the Joan Miro Foundation Center of Contemporary Arts was opened in the city of Barcelona, which was his home city, and where he would often return for his inspirations. In 1979, four years after this opened, he was also named the Doctor Honoris Causa, by the University of Barcelona, for the work he had done, as well as his influence on art.