what is piet mondrian style of art
As well as abstract art Mondrian was also passionate about dancing! Apparently he didn’t like slow traditional dances like waltzes or tango, but enjoyed high energy, fast dancing styles! He even called one of his abstract paintings Broadway Boogie Woogie after a popular dance of the time.
Squares, straight lines. and dance moves! Explore the abstract art of Piet Mondrian
A true master of modern art, Piet Mondrian was a risk taker whose bold, fearless choices allowed him to become one of the most recognized artists of the 20th century. His abstract paintings in red, yellow, and blue rely on lines and geometry to make a statement and are a far cry from the conservative Dutch art scene he came of age in. So what pushed Mondrian to break boundaries and shake up the art world?
“Composition II in Red, Blue, and Yellow” by Piet Mondrian, 1930. (Photo: Public domain via Wikipedia)
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Piet Mondrian is a Dutch painter who has carved a unique niche for himself on the global platform matching the likes of other celebrity painters. He is possibly best known for being one of the founders of the De Stijl, which incorporated an art movement that worked around abstract works, and the new art forms that were being introduced to the world in the early 20th century. The movement was also based on the reductive theory; which took a larger scale image, and brought it to life on the canvas, in architectural works, and in sculpture forms, and in the form of graphic arts as well.
Piet Mondrian not only is a leader in progressive styles and change in form, but he is also well known around the world due to the fact that his art work is published around the world, and that so many of his famous pieces are housed in different parts of the world. He has work in several galleries in New York, including the first open one person exhibit that he did, just a few years prior to his death. In addition to work published in New York, there are also pieces that sit in the National Gallery of Art in Washington DC. Outside of the US, he also has work that is on display in Paris, in Switzerland, in Amsterdam, and in many other museums and exhibits which are located around the world.
Mondrian began to study drawing at age 14, but, at the insistence of his family, he obtained a degree in education. Instead of looking for a teaching position, however, he took painting lessons and then moved to Amsterdam to register at the Rijksacademie, taking drawing lessons.
Mondrian was determined to become a painter, but at the insistence of his family he first obtained a degree in education; by 1892 he was qualified to teach drawing in secondary schools. That same year, instead of looking for a teaching position, he took painting lessons from a painter in a small town not far from Winterswijk, where his family resided, and then moved to Amsterdam to register at the Rijksacademie. He became a member of the art society Kunstliefde (“Art Lovers”) in Utrecht, where his first paintings were exhibited in 1893, and in the following year he joined the two local artist societies in Amsterdam. During this period he continued to attend evening courses at the academy for drawing, impressing his professors with his self-discipline and effort. In 1897 he exhibited a second time.
When the 47-year-old Piet Mondrian left the Netherlands for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of neoplasticism about which he had been writing for two years. To hide the studio’s structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense period of painting. Again he addressed the walls, repositioning the colored cutouts, adding to their number, altering the dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London’s Hampstead in 1938 and 1940, across the Atlantic to Manhattan.
Piet Mondrian died of pneumonia on 1 February 1944 and was interred at the Cypress Hills Cemetery in Brooklyn, New York.