what commercial technique did roy lichtenstein imitate in his paintings?
Which art movement employed commercial techniques to produce slick cool works of art. Although artists such as robert rauschenberg and jasper johns had previously integrated popular imagery into their works no one hitherto had focused on cartoon imagery as exclusively as lichtenstein. It is not known who the actress is who appears in the burger king commercial that imitate a home shopping channel.
Roy Lichtenstein Learning Resource National Galleries Of
Roy Lichtenstein was one of the first American Pop artists to achieve widespread renown, and he became a lightning rod for criticism of the movement. His early work ranged widely in style and subject matter, and displayed considerable understanding of modernist painting: Lichtenstein would often maintain that he was as interested in the abstract qualities of his images as he was in their subject matter. However, the mature Pop style he arrived at in 1961, which was inspired by comic strips, was greeted by accusations of banality, lack of originality, and, later, even copying. His high-impact, iconic images have since become synonymous with Pop art, and his method of creating images, which blended aspects of mechanical reproduction and drawing by hand, has become central to critics’ understanding of the significance of the movement.
American Painter, Sculptor, and Lithographer
Exam 3 Review ART 2313
Art hist exam 3.doc
The Roy Lichtenstein Foundation was chartered in 1998, following the wishes of the artist and his family, to facilitate access to his work and that of his contemporaries, and to create a catalogue raisonné for Lichtenstein.The mission has expanded to include a major initiative in photography, among other projects.
The Roy Lichtenstein Foundation has contributed approximately 2000 images of his work to the Artstor Digital Library, offering a survey of his oeuvre with many highlights. The Foundation has also provided cataloging for these images.
The painting has been described as a “masterpiece of melodrama”, and is one of the artist’s earliest images depicting women in tragic situations, a theme to which he often returned in the mid-1960s. It shows a teary-eyed woman on a turbulent sea. She is emotionally distressed, seemingly from a romance. Using the conventions of comic book art, a thought bubble reads: “I Don’t Care! I’d Rather Sink — Than Call Brad For Help!” This narrative element highlights the clichéd melodrama, while its graphics — including Ben-Day dots that echo the effect of the printing process — reiterate Lichtenstein’s theme of painterly work that imitates mechanized reproduction. The work is derived from a 1962 DC Comics panel; both the graphical and narrative elements of the work are cropped from the source image. It also borrows from Hokusai’s The Great Wave off Kanagawa and from elements of modernist artists Jean Arp and Joan Miró. It is one of several Lichtenstein works that mention a character named Brad who is absent from the picture.
In 1963, Lichtenstein was parodying various types of sources such as commercial illustrations, comic imagery and even modern masterpieces. The masterpieces represented what could have been dubbed the “canon” of art and was thought of as “high art,” while the “low-art” subject matter included comic strip images. His masterworks sources included the likes of Cézanne, Mondrian and Picasso. During this time in his career, Lichtenstein noted that “the things that I have apparently parodied I actually admire.”  At the time, Lichtenstein was exploring the theme of “industrialization of emotion”. In Lichtenstein’s obituary, Los Angeles Times critic Christopher Knight said the work was “a witty rejoinder to De Kooning’s famously brushy paintings of women”.  His comic romances often depicted stereotypical representations of thwarted passions.  Although the Lichtenstein Foundation website claims that Lichtenstein did not begin using his opaque projector technique until the fall of 1963,  Lichtenstein described his process for producing comics based art, including Drowning Girl: